
word polaroids by Maria Alina Co alinarco@gmail.com
About the Writer
- Alina Co
- Manila, Philippines
- Hi I'm Ali, currently holding on to my twenties for dear life. I write features, produce TV shows, and voice commercials and AVPs for a living. I love books (novels mostly), musicals, coffee, sweets (that includes cotton candy) and everything fluffy.
Sunday, September 19, 2010
Watch Behind the Bylines on Star World

Sunday, September 5, 2010
THE VOICE LIFE

Monday, June 7, 2010
The Invisible Sisters of Manila

Word polaroids by Maria Alina Co
Blue, pink, yellow, and green splashed my eyes. The monobloc table-turned merchandising display setup at the Lopez Memorial Museum was abloom with crocheted bags and wallets of various colors and designs. Body bags were at the left side, some with striped patterns, embellished with a flower accessory or two. Two women were rearranging stacks of pouches of all shapes and sizes. A black, shiny wrist bag caught my eye. Despite the great diversity of color and style, the bags had two things in common. One, they all carried the brand “Invisible Sisters,” and two, they were all made from recovered and recycled trash.
Yes, trash, or garbage if you prefer.
Visitors and customers like me would always do a double-take after being told the exquisite bags were made of discarded palengke plastic bags. A meticulous middle-aged female customer fiddled with the crocheted bags. “You mean this is not string or yarn?” she asked incredulously.
“Opo, Ma’am, plastic po ‘yan,” Ate Rica, the leader of the group, promptly answered.
The Invisible Sisters
The plastic bags are collected and made into bags by a group of urban poor women – all mothers and grandmothers – called the Invisible Sisters.
“May nakapagsabi sa’kin, yung kumare ko, na may ganitong grupo. Marunong naman ako mag-crochet dati pa eh. Sumali ako doon sa workshop ni Ma’am Rica,” Josie Tolentino, 51 years old, said as she recalled how she became an Invisible Sister.
The Invisible Sisters is the brainchild of American environmental artist Ann Wizer.
"I began in my house in Manila in late August 2008. I wanted to create a second livelihood project that also reuses waste, while creating jobs in the process. Learning from lessons of my Jakarta XSProject, I wanted something simple and easy to replicate.”
Wizer’s recycling project in Jakarta was hugely successful. Trash-pickers from slums shredded foil packs from junk food packages. The strips of trash were used to plump up and embellish functional furniture such as sala sets and executive chairs. The project yielded income for the poor women and at the same time, reused and recycled tons of trash polluting the slums of Jakarta, Indonesia. The installation entitled High Chair currently on exhibit at the Lopez Memorial Museum is one such product of the trash-pickers, Ann Wizer, and the furniture-makers that Wizer hired.
In the Philippines, Wizer decided crocheting would be a more viable idea.
“I asked the Filipinos I knew if any one knew how to crochet. All I got were blank stares, but it didn't matter: we started in my garage with a pile of colored wires from computers, used dry cleaner bags, and the supply of old plastic bags."
With the help of her cook Rica Galgao, who eventually became the project coordinator, Wizer was able to jumpstart the project.
“Nagtanong-tanong kami ni Ma’am Ann sa mga foundation ng mga kababaihan dito sa Maynila. Nagsimula kami sa isa, hanggang sa dumami na nang dumami,” Rica recalled their start-up days.
Galgao was the first to learn how to crochet plastic bags. She invited and trained women, while Wizer helped in the designs and marketed the bags locally and abroad.
Today, the Invisible Sisters has over 200 mothers and grandmothers crocheting for income. Between them, they have over 500 children and an even more staggering number of grandchildren, most of whom have no regular income.
Empowering women
Fifty-one-year-old Josie Tolentino or Aling Josie was a Management graduate but got married at a young age. She never worked all her life, being a full-time housewife to her husband and four children, the youngest being only nine years old. She relied on her husband’s income until she became an Invisible Sister.
“Malaking tulong na din po sa amin. Lalo na kapag istambay lang kami sa bahay. Pagkatapos kong magluto at maglinis, wala na akong ginagawa. Kaya malaking bagay talaga.”
Aling Josie is one of the fastest and most skilled bag-makers in her group. On the average... ( to read the rest of the article, kindly click on this link)
Friday, September 25, 2009
Look Who's Talking!
By Maria Alina Co
(Published in Manila Bulletin Lifestyle, September 20, 2009)
Without voices, it must be an awfully dull world. Can you imagine Naruto fighting Sasuke without dialogue, or endless static on your favorite radio station?
That would be such a bummer, right?
That’s because voice gives emotion, color, and spark to what we see on the screen. They render clarity to the story unfolding before us. However the voice-over talents in cartoons and radio are often faceless and nameless. They hide in the dark, in a manner of speaking.
That’s why we’re putting the finest voice actors in the limelight this time. And guess what, they’re not only talented and already making waves in the industry, but they’re also very young and personable.

Playing while working
At only 13 yrs. old, Kat-Kat Tolentino has voice-acted and dubbed for over nine TV programs.
She was only eight when she auditioned for the first time. “I used to tag along my Dad in ABS-CBN for his dubbing sessions. It was fun watching the shows on TV, so I told Papa I wanted to try it out.” Her father, Neil Tolentino, is a Dubbing Writer and Director for Hero TV. “My first audition, I cried. My Papa said I wasn’t good enough. I flunked.”
The next year Kat-Kat landed a lead role as Shahaku in the anime Three-Eyed One. “Among all the shows I dubbed, this is my favorite. It was my lucky project since I had more after it. Plus it was very challenging since Shahaku was a little boy.”
Sweet and girly, it’s hard to imagine Kat-Kat as a young magical boy with a third eye. But she does it by being in character. Dreaming of taking Theater Arts or Music someday, Kat-Kat manages to juggle her school and dubbing career. “It’s really fun because it’s just like playing with your friends and making voices. The best part is you get to earn money at the same time. Like me, I’m only 13 but I bought my own cell phone and I get to help out in the family budget.”
Dubbing Contest Champions
For Jill Fernandez and Ed Jaluag, it took talent and a lot of guts to join dubbing contests like Hataw Hanep Hero.
“Imagine dubbing in front of a huge crowd! It was an exhilarating experience,” quipped 18-year old Jill. Luckily, she bested 600 contestants and bagged the prize—a scholarship in Creativoices where she honed her voice-acting skills.
After graduation, Creativoices Owner and the Voice Master Pocholo Gonzales cast Jill as leads for Bokura Ga Ita and Negima, both anime series that aired on Hero TV. The rest is history. Currently, she is the voice behind Lemon Angels’ Tomo on Hero and Boys Over Flowers’ Ha Jae Gyeong on ABS-CBN. “I enjoy what I’m doing. I like the shows and the bonds I form with my fellow dubbers.”
For Ed, a 24-year old Video Editor, winning the fourth Hataw Hanep Hero saved him from resigning his job. “I was into Theater in high school. At work, I got bored not being able to express myself.”

A toy-collector and a cosplayer, Ed was naturally drawn to dubbing. After finishing the workshop, Ed landed one of the lead roles and a total of 25 minor roles in ABS-CBN’s KimPossible.
A Nice Voice
“People used to always say I had a nice voice, and so I thought I was a natural to get into the voice-acting industry.”
But it was only when Albert joined the workshop that he realized he still had so much to learn. 20-year old Albert is a student DJ in RX 93.1’s Radio1. He is also the President of the Society of Young Voice Artists of the Philippines (SYVAP), an organization that aims to promote voice acting as an art and career. Jill and Ed are among the 200 members of SYVAP.
“I continue to learn in SYVAP and realized there’s much more to voice acting-- from dubbing to DJ-ing, hosting events, reciting poetry, storytelling and radio dramas. A voice actor is anyone who expresses himself creatively through his voice.”
Founded by Pocholo Gonzales, SYVAP serves as a venue for aspiring voice artists to hone their craft through volunteerism and teamwork.
“The secret to being a good voice actor is to treat it as an art. Then if you’re good, the money will just come,” Gonzales said.
Living Their Dreams
Voice acting is a tough craft, but a lot of fun, especially when you’re passionate about it.
“When I dub, I forget all about my problems because I’m not myself but rather the character I am dubbing. I can become an anime, a super hero or a beautiful Korean, whatever the role requires,” Jill shared.
For Albert, one just has to believe in himself. “Being a voice actor really boosted my self esteem. I have become self-confident. I just love being heard and I want to share this to others.”

Ed added, “I love dubbing. I can do this every day of my life and will never feel like I’ve worked a day.”
*To know more about SYVAP, email info@syvap.org for more details.
Saturday, June 27, 2009
Somewhat Reddish, Rough on the Edges
(word polaroids by Maria Alina Co)
(aimless writing collection)

Recently, for some unknown reason, a vision of a red table popped like a bubble inside my head.
It was somewhat like looking at a familiar face beaming at you in the middle of a crowd. You squint and stare, but couldn’t quite place the face. Or if you have one of those memory jars, where all sorts of memory things are cramped inside, swimming, waiting to be fished out.
I didn’t fish the table out. It managed to pop out of the lid and reveal itself in its full form.
Days before my eighth birthday, my eldest brother Kuya Ariel was cooking something up. I didn’t know for sure, but I knew it had something to do with one of his construction workers, a carpenter, who sneaked in and out of the back of our house.
Kuya was just a starting contractor then. He borrowed a lot of money from my Auntie Bebe, and then some from my Mother’s amigas to make his own construction company. I remember a lot of wood and metal scraps, small mounds of cement lying around our garage. I also remember hushed angry voices and painful tears echoing inside the four walls of our bungalow. It was the eighth time my daddy quit his job. And days before my birthday, when he swore he’ll never work a day again.
The day of my birthday, I had a small party. My guests were just three—Dorothy, my bus mate, Ida and Kathrina, my classroom buddies.
After I blew the birthday cake candles, Kuya took my hand and led me to my room (which I shared with mommy and ate). At the leftmost corner, leaning on a wall, was a large wooden study table, and scandalously red—thick red, with a rough texture. It’s the kind we doodled in drawing assignments in grade school. Rectangular, with four squat red legs. A red chair stood empty in front of the table, as if beckoning me to sit. Kuya’s chinky eyes were unusually large and misty. Beaming proudly, he kissed me on my forehead and said, “Ok ba Mylene?”
I sat on my new red chair and traced the edges of the table. Rough on the edges, it had wooden splinters that somehow escaped turning red. I nudged on the red drawer, which made an awful scraping sound.
“Diyan puwede ka maglagay ng books, notebooks, crayons, papel-- kasya lahat diyan,” Kuya explained.
I glanced at my three guests, who looked blankly at Kuya’s surprise. They weren’t impressed. I planted a quick kiss to Kuya’s cheek and uttered my thank you.
Over the next days, the red table stood empty, save for a picture frame my mom put there. I didn’t dare place my things inside the drawer. I was afraid the splinters would come alive and poke its spikes on my things.
Kuya checked on me almost every day. But most of the time, I was lying on our bed while doing my assignments. He’d say, “Kaya ko nga binigay sa’yo yan para diyaan ka mag-aaral.” I’d obey grudgingly.
Until one day, Kuya Ariel slammed our door open, his face red with anger. In his hand was my report card, line of sevens floating in red ink.
“Mylene, ano ‘to??? Paliwanag mo kung bakit ganito grades mo!” I blushed, but said coolly, “Bakit ka nagagalit? Si Mommy at Daddy nga hindi galit. Kuya lang naman kita ha.”
Wordlessly, Kuya grabbed all the books and notebooks on my bed and threw them on the ugliest piece of furniture in the room.
I was dazed and confused. Biting my lip, I began to weep.
When Kuya finally stormed out, I fixed the mess on the red table, muttering under my breath, “I hate you, you ugly thing!” I kicked the table with all the strength I had left, but I ended up hurting my foot instead. Besides being sore, splinters poked out of my toes. So the red table found a way to retaliate after all. I guess it hated me too.
At the end of the school year, the red table vanished. I think it must have been the middle of our fourth quarter periodical exams when one day, I went home to find our room suddenly spacious. The red table was gone.
I told you a while ago about my memory jar (which is large, glassy and transparent, like an old-fashioned mayonnaise container without the label). I put memories I’d rather forget inside this jar. I know now why I chose to forget the red table.
One day, mommy told me the truth. “Mylene, you should know, your dad no longer pays for your tuition, Si Kuya mo na nagbabayad, installments, since your daddy lost his job. So try to understand na lang why he’ s very concerned with your grades. He only wants the best for you.”
That moment, my heart must have stopped, the world must have turned dark. Guilt seeped in, wave after wave after wave. I would have placed myself inside my jar if I could, and wallowed in shame, together with my old forgotten things forever.
But there was only one thing I had to do. Repent. And so I did with all the love and kindness I could give. Every day, I thank God for blessing me such a wonderful, loving brother.
My Kuya paid for my education from grade school all the way to college. More than my school necessities, he provided my family a few luxurious things. He bought us a brand new PC, a car, a huge LCD TV. Yearly, he shopped new clothes for me. In high school, when Birkenstock was the “in” thing, he bought me an imitation in Itti (Birks was way too expensive). He bought me my very own Swatch, Sanrio things, Nike rubber shoes, my ball dress, Guess jeans, Giordano shirts, name it.
But never a rough-edged, red study table again.
I can only imagine now what happened to the red table. Perhaps, the construction worker chopped it in pieces and used it for a construction project.
Or made fire out of the table’s four legs.
Maybe Kuya gave it to a charity organization, where a kid used it to know her ABCs and 123s.
These days, its redness pales in my mind. But I can still feel it today—the rough edges of its rectangular glory. I trace it again and again, my fingers never bleeding, loving its roughness.
Maria Alina Co, 24, graduated magna cum laude and best thesis from the University of the Philippines, Diliman, with a Film and Audio-Visual Communication degree. She is now a TV Network Executive Producer and a part-time magazine writer and voice-over talent. This year, she is taking her Master’s degree in Media Studies in Ateneo.
BLOG LINKS
- Story Minxtress- Amyline
- Cha's Boredom Chronicler
- http://www.pinkmars.multiply.com
- http://dirtypopmachine.multiply.com/
- http://someshadeofshit.blogspot.com
- http://pinaycommuter.blogspot.com
- http://wasaaak.blogspot.com
- http://amrothfaelivrin.blogspot.com
- http://ode2old.blogspot.com
- http://journal.neilgaiman.com/